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Armenian music, monophonic by internal structure, entered a new phase in the second half of the 19th century with the introduction of polyphony and more or less western forms. Thanks to Armenian composers who studied in the west. The initial Modal & Monodic nature (That is, excluding the concept of Harmony) of traditional Armenian music condensed the musical creativity in the horizontal line. This resulted in a very intense melodic expressivity and a rich rhythmic variety(initially adopting contrapunatic form inaugurated by Father Komitas), posed a new challenges like that of choosing harmonies that would respect the modal nature of the Armenian melody, specially the melismatic aspect of it.
Get more info from: http://www.music.ch/face/instrum/armenia_instrum.html
Melismatic chanting, composed in one of eight modes, is the most common kind of religious music in Armenia. It is written in khaz, a form of indigenous musical notation. Many of these chants are ancient in origin, extending to pre-Christian times, while others are relatively modern, including several composed by Saint Mesrop Mashtots, who invented the Armenian alphabet. Some of the best performers of these chants, or sharakans, are at the Holy Cathedral of Etchmiadzin, and include the late soprano Lucine Zakarian.
Armenian religious music remained liturgical until Komitas Vardapet introduced polyphony in the end of the 19th century. He collected more than 3,000 folk songs from 1899 to 1910.
While under Soviet domination, Armenian folk music was taught in a rigidly controlled manner at conservatoires. Instruments played in this way include kanon (dulcimer), dhol (double-headed hand drum), oud (lute), tar (short-necked lute) and zurna (shawm). The duduk is especially important, and its stars include Gevorg Dabagian and Yeghish Manoukian, Vatche Housepian, Antranik Askarian, Albert Vardanyan as well as Armenia's most famous duduk player, Dijvan Gasparian.
Earlier in Armenian history, instruments like the kamancha were played by popular, travelling musicians called ashughs. Sayat Nova, an 18th century, ashugh, is still revered, as are more modern canonical performers of Armenian traditional music like Armenag Shah-Mouradian, Vagharshak Sahakian, Norayr Mnatsakanyan, Raffi Hovhannisyan, Hayrik Muradyan, Hovhannes Badalyan, Rouben Matevosian, and Papin Poghosyan. The most notable female vocalists in the traditional genre have been Araksia Gyulzadyan, Lusik Koschyan, Ophelia Hambardzumyan, Varduhi Khachatrian, Valya Samvelyan, Flora Martirosian, Rima Saribekyan, Manik Grigoryan, and Susanna Safaryan.
Arto Tuncboyaciyan and his Armenian Navy Band (ANB) is a contemporary Armenian musician who has been taking Traditional Armenian Folk Music to new frontiers fusing it with other types of world music and jazz. Some members of the Armenian Navy Band have their own groups that perform when the band is not playing together. Artyom (bassist) is one such example, and Vahagn Hairapetyan (keyboard) is another.
The Armenian Diaspora
In 1915, the Young Turk regime killed a large number of Armenians in the eastern part of Turkey, and oppressed Armenian culture, leading to widespread emigration. These emigrants settled in various countries, especially in Central California, and the second- and third-generation have kept their folk traditions alive, with oud-player Richard Hagopian being perhaps the most famous of these musicians.
There have been many famous Armenian composers whose music was performed worldwide, the most famous, however, was Aram Khatchaturian, internationally well known especially for his music for ballets Gayane (which includes the immortal Sabre Dance) and Spartacus.
Other Armenian classical composers include Tigran Tchoukhajian, Aleksander Spendiarian, Barsegh Kanachyan, Edward Mirzoyan, Arno Babajanian, Alexander Harutiunyan, Armen Tigranyan, Edgar Hovhannessyan, Loris Chobanian, Alan Hovhaness etc. Composers such as Avet Terterian, Tigran Mansuryan, Ashot Zohrabyan, Martin Israelyan,Vache Sharafyan, Aram Petrosyan, Edward Manukyan and Haig Vartan can be classified as "modern classical".
Classical music and the operatic genre have always been indispensable to Armenian vocal performing arts. The most outstanding representatives of Classical Armenian vocal performing arts have been sopranos: Haykanush Danielyan, Gohar Gasparian, Gohar Galachian, Tatevik Sazandarian, Anna Nshanian, Arpine Pehlivanian, Melania Abovian, Arax Mansuryan, Lucine Amara, Cathy Berberian, Ellada Chakhoyan, Hasmik Papian, Anahit Nersisyan, and more recently, Isabel Bayrakdarian and Anna Mailyan; tenors Tigran Levonyan, Gegham Grigoryan and Vahan Mirakyan, basses Shara Talian, Avag Petrosian, and Henrik Alaverdyan, as well as the bass-baritone Barsegh Tumanian.
Instrumentalists who have gained international stature include pianists Sahan Arzruni, Artur Papazian, Sergei Babayan, Avo Kouyoumdjian, Vardan Mamikonian, Vahan Martirossian and Serouj Kradjian; Violinists Rouben Aharonian, Jean Ter-Mergerian, Anahit Tsitsikian, Levon Chilingirian, Manouk Parikian, Ida and Ani Kavafian, Sergey Khachatryan: violist Kim Kashkashian; cellists Suren Bagratuni and Alexander Chaushian.
In pop music, Suzan Yakar and Udi Hrant Kenkulian were famous cabaret singers in Turkey during the 1920s and 1930s. The most prominent female representatives of modern Armenian pop music include Bella Darbinyan, Raisa Mkrtchyan, and the Armenian male pop performers in the world today are Adiss Harmandian, Paul Baghdadlian, Sahag Sislian, Harout Pamboukjian, Joseph Krikorian, Garo Gomidas, Vrej Sahagian, Ararad Aharonian, Gomidas Band & Hovsep, Koko & The Sbidag Band, Paul Baghdadlian Jr., Robert Chilingirian, Sako, Zareh, Garo Gaboudagian, Andre and Arsen Grigorian are prominent Armenian & International performers.
- for full article see Armenian Rock Music
Rock and roll is a musical genre, originated from United States. It was greatly restricted for most of the period Armenia was under Soviet rule as american anti-communist influence, but following the loosening of control in the early 1980s, a number of Armenian rock bands became prominent. The first was Thessilk, who formed in 1983.
In 1982 a band called Bambir won the Folk Music Award at the International Festival in Lida, Belarus. They combined rock with Armenian folk and classical music. Later folk-rock bands include Vostan Hayots.
Later in the 80s, as the Soviet rock scene grew larger, bands like Ayas found international audiences. Ayas formed in 1987, and only a year later won Yerevan's Rock, Rock, Rock Festival best composition of the year award. They later won the Sisian Rock Festival as well.
In the early 1990s, an Armenian progressive rock scene developed. Dumbarton Oaks was one of the first to combine rock with classical music, in compositions like "Once Upon a Time There Lived a Cadence". Later in the decade, bands like Artsruni and Oaksenham gained an international following.
Some of the leading Armenian rock musicians are drummer Marek Zaborsky, who performs with a dozen local bands in Yerevan, guitarist Arthur Margarian, singer Samvel Tsovak etc. All of these musicians often experiment with folk-rock ganre and are quite successful today.
A very good overview of Armenian Rock music can be found at the Arm in Rock website. http://www.arminrock.am/six_waves.php
Armenian Music Awards
The first Armenian Music Awards was held in 1999.
- Download recording of "Erivan bachem arer", an Armenian-American folk song from the Library of Congress' California Gold: Northern California Folk Music from the Thirties Collection; performed a cappella by Ruben J. Baboyan on April 16, 1939 in Fresno, California
- WPA California Folk Music Project on the Library of Congress site - Click on Armenians, then choose from 105 records made by Armenians who immigrated to Fresno
- Hagopian, Harold. "The Sorrowful Sound". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 1: Africa, Europe and the Middle East, pp 332-337. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0
Base of this article from http://en.wikipedia.org/wiki/Music_of_Armenia